Once we identify with something we tend to personalize it. Once we personalize something we grant it status as a unique entity, one of many, but separate and worthy of its own recognition in the greater scheme of life.
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In the bonsai world, shows happen all the time. That highly reactive interface between human beings, with their individual natures, and little designed trees, each with its own character, can be found at any bonsai show. Our show is different, though. Most bonsai shows last for a few days or maybe a week at the most, while the show in the Arboretum's bonsai garden runs for more than half a year.
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It was not until almost thirty years later that I identified that tree, from memory. So clear was my recollection of time spent up in that tree's boughs that I could distinctly recall the look of its bark, the shape of its leaves, the form of its structure. Once I started working at the Arboretum and learned something about plant science, these memories were enough for me to know the tree's botanical identity.
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The bonsai garden is a premier attraction for the Arboretum, so having that attraction back online after a five month winter hiatus is a big deal. For me, World Bonsai Day is a deadline that can’t be missed. All those wonderful little trees and landscapes don’t get dressed up and lined out on the display benches by themselves — it’s a lot of work!
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Visitors to the Expo were encouraged to vote for their favorite bonsai and in 2013 John’s baldcypress won hands down. Small wonder — the specimen is big and obviously old, and to see such a tree growing in a container defies belief for the average person.
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Foliage is wonderful, of course, but on a deciduous species the foliage is absent half the year. In the landscape, a naked Japanese cutleaf maple can still be beautiful for its form, particularly in the display of its branching and finely articulated twigs. The same can be true of a Japanese cutleaf maple bonsai when seen without its leaves. It can be true, but is not automatically so.
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Mr. Martin had a diverse collection with some older looking specimens, and seemed to like his little trees to be on the large side. Most amazingly, a substantial portion of Mr. Martin's bonsai, including some of the larger, older looking pieces, were trees he had grown himself from seed.
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We were The North Carolina Arboretum in the Southern Appalachian region of the United States, engaged in the business of building our own identity, which would primarily reflect our own unique place in the world. The three gardens comprising the Arboretum's core area, opened to the public just a year earlier, all modeled this approach.
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I knew a challenge when I heard one. I went home that night and stayed up late to write out a statement by hand, then went to work the next day and asked my friend Cindy to type it up for me. Then I made sure the Executive Director and everyone else in administration received a copy.
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Of the six or seven trees Kent had rounded up for our consideration, the one at which he now pointed was easily the least impressive. It was another pine, a Japanese black pine by the looks of it, wildly overgrown and terribly leggy. I didn’t see anything to recommend it.
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The routine so familiar you know it by heart,
a well worn path trod year after year
yet remaining somehow eternally new.
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It must have looked suspicious. Picture a rest stop off an Interstate, a van parked by itself a little removed from any other vehicles. Two men stand outside the van, waiting expectantly, looking down the road and one of them now and then checks his watch. Finally a second van pulls up, right alongside the first.
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What follows is an account of the late winter preparatory work done on a trident maple (Acer buergerianum) in a developmental phase. This same specimen has twice before been featured in the Curator’s Journal. The tree is revisited in this entry, on the cusp of its fourth growing season of bonsai development.
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Banyan is a catch-all phrase for several different species of figs (Ficus sp.) that share the trait of producing what are known as prop roots from their trunks and branches. Emerging like threads from the tree's bark, these roots are pulled downwards by gravity until they come in contact with the ground.
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When something goes bad or doesn't work right, blaming it on politics is always a safe bet. People think politics are inherently bad. Politicians are generally reviled and dismissed as being among the lowest of untrustworthy creatures, so much so that calling someone a "politician" is a slur.
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The year 2005 was a watershed for bonsai at The North Carolina Arboretum. That was the year the Bonsai Exhibition Garden first opened to the public, in October on Expo weekend, and the advent of that space for displaying our collection forever changed the institutional status of bonsai.
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The early years of the Carolina Bonsai Expo were an exhilarating experience. The show grew bigger and better with each passing year, with more people coming to see it and more clubs wanting to join. The undeniable success and popularity of the Expo became a prime driver of bonsai’s ascension up the Arboretum’s institutional ladder.
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By the time of the final Expo in 2019, the event had established itself as one of the leading bonsai shows in the United States and was internationally known. For many years the Expo was The North Carolina Arboretum’s single largest event of the year as measured by visitation. Starting out, however, the Carolina Bonsai Expo was a humble affair.
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In 1995 the Arboretum hosted a visit from the popular American bonsai artist Chase Rosade. He had bunches of very young plants of differing species, and at the end of the class he had three Japanese stewartias (Stewartia pseudocamellia) that weren't utilized, so he gave them to the Arboretum.
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It turned out that keeping this elm under control while giving it the freedom of growing in the ground was not practicably possible. When I cut it back in the spring the tree would simply explode with new growth, as if it would just as soon be a big bushy shrub if I wasn’t going to let it climb up to the sky.
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