The Curator’s Journal by Bonsai Curator Arthur Joura offers the ultimate insider’s view of bonsai at The North Carolina Arboretum. Regular entries chronicle growing an art and growing an enterprise. Some journal entries will be long and others more brief; some will be mostly words and others mostly pictures; some will be close-up studies of detail and others will step back to take in the wider scene.

The path will not be linear, but all the entries will be steps on a journey. You’re invited to come along.

Preview the latest entries and resources offered below. With Joura as a knowledgeable guide, you can forgo the map and travel in time to meet remarkable trees, each with stories and life lessons worth sharing.

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REcent Journal Entries

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Thinking About It
Thinking About It

But beyond being an artist Zhao was also proof of something, a living example of a fact you thought must be true but couldn't prove. There had to be multiple ways of going about it — had to be. If the whole little tree business was truly an art form then there couldn't be just one right way. Art doesn't work like that.

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Water and Land
Water and Land

The baldcypress water-and-land planting Mr. Zhao made for us in his 1998 demonstration program was remarkably good right from the time he put it together. It had a great feeling to it, a kind of authenticity that evoked the experience of being in nature, somewhere in the hushed coniferous forest where the sound of water splashing on rock is so persistent it ceases to be noticeable.

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Entertaining the Alternative
Entertaining the Alternative

In America Mr. Zhao was best known in those days for one of his tray landscape plantings done in the water-and-land penjing style. The landscape depicted a scene wherein horses are resting in the shade of flowering trees, with picturesque boulders strewn about and a stream nearby. This penjing was titled: Painting With Eight Horses.

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Finding Form
Finding Form

Right from the beginning, the redcedar that came to be called Crazy Horse was thought the better of the two, its claim to superiority based on having a fantastic display of deadwood in its trunk. The other redcedar also had an old trunk with deadwood, yet it lacked the extravagant flair of its counterpart. The trunk of this lesser tree was long, thin and scraggly in appearance.

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Redesigning a Satsuki
Redesigning a Satsuki

There was also a noticeable degree of creep taking place in the top of the tree. “Creep” is the term I use for changes naturally occurring in small increments over an extended period of time that aren’t initially recognized. Then one day you see plainly that things have changed and wonder how long it’s been going that way.

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Explore Entries By Collection


People are often interested in a specific topic within the art of bonsai. The journal entries have been sorted to reflect that, making it easier for readers to find entries covering material they would like to read about in greater depth.

 
 

Recommended viewing

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The American Elm
The American Elm

From a simple seed grows a mighty tree — and a great new video by Ben Kirkland, content creator of the popular YouTube channel Appalachian Bonsai. He documents Arthur Joura in the 2019 styling demonstration that was the making of The American Elm.

A Radical Redesign: Tanuki
A Radical Redesign: Tanuki

Life, death, rebirth. Bonsai curator Arthur Joura undertakes an unusual and challenging redesign of an old juniper bonsai from the Arboretum's collection. The work was recorded live and edited by Visiting Artist Ben Kirkland, creator of the YouTube channel Appalachian Bonsai.

Creating a Tray Landscape
Creating a Tray Landscape

In Creating a Tray Landscape, Arboretum Bonsai Curator Arthur Joura creates a new planting featuring a lone weathered hornbeam and woody shrubs assembled with sculptural rocks on a natural stone slab. It makes for a scene evocative of the craggy Southern Appalachian highlands.

Repotting the River of Dreams
Repotting the River of Dreams

An iconic tray landscape — The River of Dreams — is de-constructed and its individual elements are reassembled to create a new composition, which is then replanted into a new and larger American-made container.

Out of the Box
Out of the Box

This second video of the series, "Out of the Box," shows what happens in several years when a bonsai-in-training is ready to take another significant step toward becoming a presentable piece.

A SMALL Sampling OF Bonsai IN THE Arboretum’s COLLECTION

Captions may not be supported when viewing on a mobile device. Find a list of the bonsai currently on display here.

“We use bonsai as an interpretive tool to help excite people about nature, to help engage them, to make their visit to the Arboretum special... That focus exclusively on the natural aspect, that’s what sets us apart. Here, bonsai is a way for people to see nature differently. ”
— Arthur Joura