
The Curator’s Journal by Bonsai Curator Arthur Joura offers the ultimate insider’s view of bonsai at The North Carolina Arboretum. Regular entries chronicle growing an art and growing an enterprise. Some journal entries will be long and others more brief; some will be mostly words and others mostly pictures; some will be close-up studies of detail and others will step back to take in the wider scene.
The path will not be linear, but all the entries will be steps on a journey. You’re invited to come along.
Preview the latest entries and resources offered below. With Joura as a knowledgeable guide, you can forgo the map and travel in time to meet remarkable trees, each with stories and life lessons worth sharing.
REcent Journal Entries
Naturalistic bonsai requires the study of trees in nature, with an eye toward truly seeing what trees do and understanding why they do it. That is the big attraction for me in coming to a place like Maymont. Here there are genuinely old trees of different species, growing out in the open where they can fully express themselves while being viewable from all angles, near and far.
We were new and there were many ideas about what The North Carolina Arboretum should be, and these were coming in all the time from various corners of special interest. The Arboretum wouldn't be able to satisfy all of them and we were apparently not in a rush to fully commit to any of them.
The North Carolina Arboretum’s bonsai enterprise began with a donation of little trees in 1992. Visitors, when they hear this story, often ask how many of those original trees remain in the collection. As usual when a question arises regarding numbers, I’m obliged to truthfully respond that I don’t know.
On the surface of it, there’s not much connecting crapemyrtle (Lagerstroemia indica) and Scots pine (Pinus sylvestris) beyond the fact that both are woody plant species. Crapemyrtle is a deciduous tree originally from southern parts of Asia and Australia, while Scots pine is a coniferous evergreen native to mostly northern Europe. The two subjects of this entry, however, share several points of commonality.
Explore Entries By Collection
People are often interested in a specific topic within the art of bonsai. The journal entries have been sorted to reflect that, making it easier for readers to find entries covering material they would like to read about in greater depth.
Recommended viewing
From a simple seed grows a mighty tree — and a great new video by Ben Kirkland, content creator of the popular YouTube channel Appalachian Bonsai. He documents Arthur Joura in the 2019 styling demonstration that was the making of The American Elm.
Life, death, rebirth. Bonsai curator Arthur Joura undertakes an unusual and challenging redesign of an old juniper bonsai from the Arboretum's collection. The work was recorded live and edited by Visiting Artist Ben Kirkland, creator of the YouTube channel Appalachian Bonsai.
In Creating a Tray Landscape, Arboretum Bonsai Curator Arthur Joura creates a new planting featuring a lone weathered hornbeam and woody shrubs assembled with sculptural rocks on a natural stone slab. It makes for a scene evocative of the craggy Southern Appalachian highlands.
An iconic tray landscape — The River of Dreams — is de-constructed and its individual elements are reassembled to create a new composition, which is then replanted into a new and larger American-made container.
This second video of the series, "Out of the Box," shows what happens in several years when a bonsai-in-training is ready to take another significant step toward becoming a presentable piece.
A SMALL Sampling OF Bonsai IN THE Arboretum’s COLLECTION
Captions may not be supported when viewing on a mobile device. Find a list of the bonsai currently on display here.
“We use bonsai as an interpretive tool to help excite people about nature, to help engage them, to make their visit to the Arboretum special... That focus exclusively on the natural aspect, that’s what sets us apart. Here, bonsai is a way for people to see nature differently. ”
That which is thought to be optimal is often enough at odds with reality. We might have a plan that anticipates a certain course of events, but that can never be anything more than a starting point, after which things go the way they go due to circumstance. Mitigating factors in the world of bonsai growth and development include, but are not limited to: Weather conditions, incidence of disease and pest damage, accidents, mistakes, poor timing and availability of labor.