Posts tagged year 3
Safe and Sound

The heavy rain continued the rest of the afternoon, then all through the evening and all through the night without letting up. Somewhere in the darkness, as most people slept, the wind got up and started moving around, making itself known with murderous force. When morning came the damage that had occurred overnight gradually revealed itself.

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Asheville the Day After

Last night you read how the hurricane would land on the Gulf coast of Florida, then travel north-northwest through Georgia and South Carolina before arriving in western North Carolina. There would be lots of rain, the forecast said, maybe as much as twenty inches. There would be high winds too.

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Building the Program

It amazed me that people were so generous. Their only motivation, so far as I could see, was to be helpful. They were supporting a new arboretum that was trying to start a new public bonsai collection, and if anything they had could be of use in that effort, they were happy to give it to us.

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Show and Tell

I had to actively advocate for bonsai's place within the Arboretum. Bonsai was still in the institutional position of being a curious side venture, an experimental anomaly, and nothing like a full-fledged program in its own right. I was no curator then. I was allowed to refer to myself as the bonsai caretaker for public relations purposes, but that was an unofficial title.

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American Bonsai Pots - Part 2, Right Here, Right Now

Those pots were made in Japan or China and their character was part of the whole “Ancient Art of Bonsai” package. In the beginning this was not a problem. The desirability of producing bonsai that adhered to a certain conventionally approved form was only another of the rules in a game I was learning to play. After some time, however, an unanticipated dilemma arose.

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Thoughts on Dan Robinson - Part 3

We parked and got out of the truck, spending some time out in the chill and wind-driven rain, under the leaden sky, getting soaked while walking a beach all strewn with massive old trunks of driftwood dead trees. These giants were scattered here and there like matchsticks, the moving of them child’s play to the powerful currents of the strait.

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Thoughts on Dan Robinson - Part 2

After being greeted by the bear there in the dark early hours of the morning, I crawled off to bed. A few minutes later, or so it seemed, there was daylight streaming through the window. Then there was a bang on the door and it flew open and there was Dan, dressed and ready for the new day. In a booming voice he called out "You going to sleep all day?"

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Thoughts on Dan Robinson - Part 1

I was dead-tired as we stumbled through the night to the door of the house. I could not see so well but somehow sensed the house was of unusual construction, as Dan got out his key and opened the door. He stepped in and I followed. My head was lowered, making sure of my step in the dark through the unfamiliar threshold, and Dan said, "Say hello to Charlie!"

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A Donation Story

The call has come on many occasions. Someone has a bonsai collection that's become too much to handle, and now the trees need a new home. Our entire bonsai enterprise at the Arboretum began with just such a call, when the Staples family reached out to us about their mother's collection. The situation that prompts the call is almost always sad because it signals the end of someone's bonsai journey.

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The Problem Child - Part 2

Such a state of full resolution is never achieved in bonsai. Because of the living nature of the medium, creative work with any individual bonsai is ongoing for the duration of the bonsai’s existence. The fact that the bonsai is alive dictates that it will change. Life entails growth and decline, and both are expressed in transformation.

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The Problem Child - Part 1

I raised the tree from a seedling, birthed it as a bonsai, gave it its form, worked with it for nearly three decades and have always been fond of it. It was on display in the bonsai garden for many years and was even an Expo poster child. Yet somehow I've never been satisfied with this bonsai and have always struggled to work through my issues with it.

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Talking Up the Customers

I'm a solitary sort of person, strongly inclined towards quiet introspection, with an unfortunate tendency to be cranky in social situations. I might be tempted to say I'd like my job even more if all it involved was working with the plants, were it not for a certain mysterious phenomenon that occurs on a regular basis.

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The Wet and The Dry - Part 2, The Dry

It takes a little imagination for a water feature like Mountain Spring to mentally transport a viewer to some other, more natural watering hole in the forest. But even if the viewer has no imagination, they can still appreciate just the sight and sound of water cascading over the face of a big, craggy rock and into a pool. That experience is elemental and accessible. It's another matter altogether when the water feature is conceptual — that is, when the water feature doesn't actually have any water in it.

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Two Redcedars

Redcedar is not a favored bonsai subject, I think mostly because it is difficult to find suitable old trees with which to work. Trying to grow a redcedar bonsai from young material is a long term, long shot project. All four of the redcedar bonsai in our collection were donated to us, so they all had some age on them before we started working on them.

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