My guess is that very few of the many people who have admired "Yoshimura Island" over the past three decades have taken note of the ingenious composition. In truth, I did not fully appreciate it myself until I learned more about bonsai than I knew at the time the planting was created. What Mr. Yoshimura had done with the arrangement of this planting and why he did it was something I discovered only after years of looking at it and thinking about it. 

Even today I can't think of a great many technical tips I can say for certain came to me from Mr. Yoshimura. He contributed a good deal of information in that regard, but it all gets blended in with things I learned elsewhere, before and after my time with him. The real gold of my Yoshimura experience was in all the stuff that perplexed me at the time.

I had brought along three ceramic tray containers — low-profile, good quality Japanese stoneware ovals, the kind traditionally used for forest plantings. Mr. Yoshimura looked at those a moment, then said, "Come with me!" At this he became animated to a surprising degree, scurrying in short, rapid steps toward the greenhouse. I followed.

When Mr. Yoshimura wasn't preparing me for the future, he was looking back over the decades of his own past, trying, I think, to discern why things went the way they did. He spoke of episodes from all different phases of his life, from the distant days of his youth up to the most recent years.

Mr. Yoshimura's teaching style was direct. He spoke declaratively and took pains to be exact in his statements. He expressed himself with authority that arose from an absolute command of his subject, acquired over an entire lifetime spent immersed in the art of miniature trees and landscapes.

Mr. Yoshimura loaded my slides into the projector's carousel then started projecting the images onto a small screen, also crammed into the room. Here my lessons began. As each tree's image was thrown up on the screen, Mr. Yoshimura would study it briefly and then begin a critique.

In January of 1995 I traveled to Briarcliff Manor, New York, for a three-day study session with Mr. Yuji Yoshimura. Shortly after my return, I wrote an account of the experience and submitted it to Arboretum administration to communicate the value of what I had learned. What follows is an unedited transcript of that report.

As the new year began in 1959, thirty-seven-year-old Yuji Yoshimura began teaching bonsai classes at the Brooklyn Botanic Garden. He'd arrived in America laden with all the bonsai materials needed because they would not be otherwise available. This amounted to more than a ton of baggage, and the whole operation must have required prodigious planning and organization.