We talked easily enough. Mr. Yoshimura's new surroundings were newer, cleaner and less cluttered than his home in Briarcliff Manor had been, and it felt different encountering him there. One thing hadn't changed, though — he still spoke to me in riddles sometimes.
Read MoreEven after years of pouring through books and magazines studying countless pictures of the great aged bonsai from Japan, nothing could have prepared me for the marvel of standing before the living trees themselves. All of them were apparently in perfect health, meticulously groomed, planted in exquisite containers, and everything I saw looked old.
Read MoreFrom Ryoanji we walk another fifteen or twenty minutes to Kinkakuji Temple, another truly outstanding site. The gardens are beautiful, but the real highlight is a golden temple, three stories high, sitting above a large pond that reflects the image. It's fantastic, dreamlike. I shoot a million pictures, but it's unlikely that I capture on film the shock of seeing such an amazingly wondrous thing for the first time.
Read MoreNow, twenty-five years later and with the advantage of hindsight, there are certain elements of my Japan experience that I recognize as having had more importance than previously acknowledged. It is time to shine some light on these matters.
Read MoreThe bonsai professional had been taking the Englishwoman and her husband on a tour of the professional's bonsai garden. The professional introduced the curator to his English guests, explaining to the guests that the curator was in charge of a public bonsai collection in the United States and had come to Japan to study.
Read MoreContainerization of plants is a remarkable phenomenon that few people ever think about because it's been done forever and the practice is so widespread and common. The discovery that a plant might be taken out of its natural context, introduced to an artificial environment and kept alive and thriving over a prolonged period was revolutionary.
Read MoreThose pots were made in Japan or China and their character was part of the whole “Ancient Art of Bonsai” package. In the beginning this was not a problem. The desirability of producing bonsai that adhered to a certain conventionally approved form was only another of the rules in a game I was learning to play. After some time, however, an unanticipated dilemma arose.
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