I had to actively advocate for bonsai's place within the Arboretum. Bonsai was still in the institutional position of being a curious side venture, an experimental anomaly, and nothing like a full-fledged program in its own right. I was no curator then. I was allowed to refer to myself as the bonsai caretaker for public relations purposes, but that was an unofficial title.
Read MoreIt amazed me that people were so generous. Their only motivation, so far as I could see, was to be helpful. They were supporting a new arboretum that was trying to start a new public bonsai collection, and if anything they had could be of use in that effort, they were happy to give it to us.
Read MoreOn a mostly forgotten day in February, 1995, the telephone in my office rang. When I picked it up I heard Mr. Yoshimura's voice on the other end of the line. It was a happy surprise to hear his voice, because we hadn't spoken since my study visit with him in early January.
Read MoreNine thirty the next morning I was at the hotel and Mr. Yoshimura was not waiting in the lobby. I stopped at the front desk and asked the woman working there what room Mr. Yoshimura was in. She told me the number then asked if I wanted her to call his room and let him know I was there. "No," I said. "He's expecting me."
Read MoreWe talked easily enough. Mr. Yoshimura's new surroundings were newer, cleaner and less cluttered than his home in Briarcliff Manor had been, and it felt different encountering him there. One thing hadn't changed, though — he still spoke to me in riddles sometimes.
Read MoreThe bonsai professional had been taking the Englishwoman and her husband on a tour of the professional's bonsai garden. The professional introduced the curator to his English guests, explaining to the guests that the curator was in charge of a public bonsai collection in the United States and had come to Japan to study.
Read MoreContainerization of plants is a remarkable phenomenon that few people ever think about because it's been done forever and the practice is so widespread and common. The discovery that a plant might be taken out of its natural context, introduced to an artificial environment and kept alive and thriving over a prolonged period was revolutionary.
Read MoreThose pots were made in Japan or China and their character was part of the whole “Ancient Art of Bonsai” package. In the beginning this was not a problem. The desirability of producing bonsai that adhered to a certain conventionally approved form was only another of the rules in a game I was learning to play. After some time, however, an unanticipated dilemma arose.
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